3/2/2024 0 Comments Flux pavilion seattleThe best dubstep of the last five years is being written right now.” But now it’s not popular anymore, people are writing really interesting stuff again. When something gets too big there’s an understood idea of what it is. We reached a nice point where dubstep especially got too big. “I get bored quite easily with the perpetuation of stuff sounding the same over and over again. Many could even make the argument that it’s entering into some of it’s best years ever, and it’s safe to say Flux Pavilion numbers himself among that crowd. Heavyweights like Bassnectar and Excision have both given voice to the idea that bass music is far from dead. Much has been said in recent months on dubstep as a genre. Rather, it’s the intention behind creation that drives him, noting that when it comes to writing music, people are “never going to love it compared to something that’s completely off the wall.” Tesla represents that “off the wall” feel, and the end result is a steady mix of vintage Flux sensibility blended into an intriguingly different sound.įlux’s Tesla tour was everything we could have hoped for To clarify, Flux Pavilion isn’t out to write music you hate. I tried to draw from a place writing tunes that I like, rather than trying to write something I think other people will like.” I tried to concentrate on how Flux Pavilion tracks make me feel and it ended up sounding quite weird. “I didn’t actually intend to take the sound in a different direction. For Flux, Tesla was a chance to capture the spirit of his music, rather than simply the sound. The Glitch Mob’s Drink the Sea showed how bass music is far more than heavy drops and screeching saws. Porter Robinson’s Worlds was the culmination of a desire for something new. In our conversation, it became immediately clear that we were talking to someone who exudes passion for all facets of the musical process, extending far outside of simply producing and DJing.įor most DJs, the debut LP is a chance to summarize their body of work. We were fortunate enough to sit down with the living legend to talk over his origins in the industry, the inspiration behind his new album Tesla, and his thoughts on the controversial DJ Mag Top 100 poll. Having just released his first full-length album, we finally got the chance to see him apply his considerable talent to a longer format. The day it released to the world, he graced the decks at our Foundation Nightclub, delivering an eclectic set of both new and old tunes to celebrate. He’s been around since the very early days of bass music, and today is one of the biggest names in the genre. Flux Pavilion is no stranger to the modern music industry.
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